Jennifer Droguett reads the mother-daughter bond as a metaphor for our relationship with the earth — in rescued wool suiting, seaweed-spun knitwear and ferns printed in bio-based black.

While mainstream land art of the 1970s often tried to dominate the landscape, Ana Mendieta treated the earth as a collaborator. The work of the artist reminds us that the body is not separate from the soil, it is an echo of it.

In it’s final week at the ICA, artists Jenna Bliss, Buck Ellison and Jasmine Gregory investigate what effect the post-2008 era has had on societal myths of fairness in Genuine Fake Premium Economy.

Rotterdam-based artist Marlou Fernanda's first major retrospective, A Time for Everything, is in it’s final week at Wereldmuseum Rotterdam. If you haven't been yet, go.

Nadav Perlman's Spring–Summer 2027 collection, ROOTS, presented at the Antwerp Fashion Festival, is the kind of work that reminds you what fashion can do when it stops trying to predict what's next and starts asking what we carry with us instead.

There is something ancestral about stepping into gadzi. The newest Infinities Commission at Tate Modern, created by multi-award-winning artist nora chipaumire, fills the museum's East Tank with the granite, red soil and vast sky of Zimbabwe.

London College of Fashion, UAL returned to the official London Fashion Week schedule, bringing its MA Class of 2026 to the catwalk with collections from the MA Fashion Design Technology Menswear and Womenswear programmes.

Badiani Gelato has transformed into an unlikely incubator for emerging design talent. You will find Inside Scoop, a curated pop-up experience, offering five independent designers a rare commodity in today's fashion landscape: space, visibility and genuine market feedback.

Shaqúelle Whyte’s second solo exhibition with Pippy Houldsworth Gallery honors musical heroes from Boris Gardiner to The Beatles, titled after Wynton Marsalis’ jazz interpretation.